01 - Melancholy

A reflective piece for a sombre moment, leading with a violin and a piano. Gradually builds up and finishes on a note of hope. Rearranged from "His World" (Sonic the Hedgehog, 2006).

02 - Sinister

Background for a lonely and threatening scene. Instrumented with piano and some synths.

03 - Downtime

Cheesy organ, guitar and saxophone comprise a jaunty track with a twelve-bar blues structure.

04 - Grief

Music for when something terrible has pushed a character into despair. Mainly uses strings, music box, and choir.

05 - Victory

A happy piece, expressing a joyous moment. Piano and orchestra led by flute and trumpets. Rearranged from "Reach for the Stars" (Sonic Colours, 2010).

06 - Resurrection

Accompaniment for a peaceful location, instrumented with harp and flute, with a more sinister middle section leading back into harmony. The main theme is reprised at the end with piano only.

07 - Looking Forward (Credits)

A closing song with vocals, using MIDI guitar and synthesized pad. The lyrics are about a character moving ahead into the future.

08 - Exposition

Music for when something important is being explained, or preparations are being made before an action scene. Uses bass, piano and drums.

09 - Casual

A laid-back piece for a relaxed and fun moment. Solo violin and guitar over piano, rearranged from "Bridge Zone" (Sonic the Hedgehog 8-bit version, 1991).

10 - Reminiscence

Background for a flashback, with tranquility at the beginning before changing key and becoming ominous as the subject remembers a tragic experience. Ends with a return to the present and the original key.

11 - Danger

Synthesizer and orchestra combine for an epic piece rearranged from "Undersea Palace" (Chrono Trigger, 1995). Tension rises and falls from section to section as the scene shifts.

12 - Running (ft. Warbs)

An opening song with vocals reflecting a plucky protagonist with a go-get attitude, sung by guest singer Warbs, with a brief guitar solo at the end.

13 - Predator (They Are With Me)

A hybrid piece combining soundtrack in the first half with a rock song in the second half. For a scene where the protagonist approaches their enemy for the final battle, and proceeds to take them on after the midpoint of the music.